A 911 emergency call center is the "center of the universe" when a high profile call comes in. The caller and the dispatcher will be forever linked in their conversation. This conversation might be played over and over for many years to come. Criminal cases can be won or lost based on the clarity of a 911 tape. Family members and friends longing for closure are able to recieve this with a clear 911 recording of a call. The 911 dispatch team can breathe a sigh of relief knowing they did their job to the best of their abilities and it is available for the world to hear with a clear 911 recording.
The acoustics in the 911 center are a critical function of the comm center. Is your comm center so loud that the dispatch team goes home exhausted from a long shift? Can your team hear the callers calling in or is there to much background noise in the comm center? When people call for help they call from all over, bars, playgrounds, highways, concerts, parties and sometimes a quiet room. We can’t control those environments but we can control the environment we are in.
Comm center design can be critical to how we communicate with members of our team. Do you speak directly at each other or do you have a buffer zone? There is a fine line between being too close and being too far away.
The products we use to partition around our consoles are a very critical part of acoustics. Here are a few different options for panel systems and their acoustical arguement:
In closing, if you have any questions about your acoustics being your number one priority just watch a Friday night dateline and listen to the 911 tapes. This is where the rubber meets the road so to speak. The icing on the cake when acoustics are your number one priority, is your mission critical team goes home without being exhausted from trying to concentrate for long hours in a noisy environment.